Ashlyn Fieldhouse
Neuroanatomy Self-Portrait - 2022
Hi, I’m Ashlyn (Ash) Fieldhouse!
I am a scientific visualizer and designer with an eye for communication and problem solving.
PORTFOLIO
Case Studies
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Illustration
POSTERO-INFERIOR VIEW OF LIVER
Anatomical Illustration, Medical Illustration
A full-tonal illustration of a human liver from a preserved specimen at Grant’s Anatomy Museum at the University of Toronto. The illustration was created from sketches from direct observation as well as from research used to account for degradation of the historical specimen.
Year: 2021
Tools: Adobe Photoshop, Adobe Illustrator, Graphite
Media: Print- textbook or anatomical atlas
Client: David Mazierski
Audience: Students in medical or life sciences streams and medical professionals
References:
Agur, A. M. R., & Dalley, A. F. (2005). Grant’s atlas of anatomy (11th ed.). Lippincott Williams & Wilkins.
Agur, A. M. R., & Dalley, A. F. (2019). Moore’s essential clinical anatomy (6th ed.). Wolters Kluwer.
Fritsch, H., & Kuehnel, W. (n.d.). Color atlas of human anatomy: Internal Organs, vol II (5th ed.). Thieme.
Kapit, W., & Elson, L. M. (2014). The Anatomy Coloring Book (4th ed.). Pearson Education Inc.
Spalteholz, W. (1923). Hand atlas of human anatomy, vol III. J. B. Lippincott Company.
SKULL: LEFT ANTEROLATERAL VIEW
Anatomical Illustration; Medical Illustration
This full-tonal illustration of the human skull was drawn from direct observation of both real skulls and plastic models.
Year: 2021
Tools: Carbon Dust, Adobe Illustrator, Adobe Photoshop
Media: Print- textbook or anatomical atlas
Client: David Mazierski
Audience: Students in medical or life sciences streams and medical professionals
References:
Agur, A. M. R., & Dalley, A. F. (2019). Moore’s essential clinical anatomy (6th ed.). Wolters Kluwer.
Geddes, L. (2014). Human anatomy: The definitive visual guide. Dorling Kindersley Limited.
Simblet, S. (2001). Anatomy for the artist. Dorling Kindersley Limited.
3D Modelling
CHAMBERED NAUTILUS
Freeform 3D Model
3D modelling, Scientific
An exploration of free-form modelling using 3D modelling software.
Year: 2021
Tools: ZBrush, Cinema4D, Adobe Photoshop
Media: Print- wildlife magazine
Client: Nicholas Woolridge
Audience: General public
References:
Cinema4D underwater scene and reference imaging for shell pattern were provided by the client, Nicholas Woolridge.